This weekend I watched the rest of the Halloween films, Halloween
III: Season Of The Witch, IV: The Return Of Michael Myers, V: The Revenge Of
Michael Myers, Halloween: The Curse Of Michael Myers, Halloween H2O: 20 Years
Later and Halloween: Resurrection.
Halloween III: Season Of The Witch
is the odd man out as it’s not about Michael Myers (although the first
Halloween film is shown on TVs seen during the film, so Michael does pop up a
couple of times). Instead it’s about an attempt to “bringing about a
resurrection of the ancient age of witchcraft” via the mass sacrifice of
children. III is a pretty decent horror film, which reminds a little of the Twilight
Zone, in that it has a great core concept, twists and a not so happy ending.
However, III didn’t make enough money and the idea that
Halloween would become a franchise of horror movies with each film being
separate and distinct from the other films, was dropped and they brought back
Michael.
Halloween IV: The Return Of Michael Myers
and Halloween V: The Revenge Of Michael Myers centre on Jamie Lloyd, Michael’s nine year old niece and the last of his
bloodline, and Michael trying to kill her. Danielle Harris plays Jamie and is
really great, often young child actors are the weak link, but Danielle really
knocks it out of the park. Ellie Cornell who plays Jamie’s foster sister is
also great and together with Donald Pleasence they take IV from being an
average slasher into something better/special. There is a little bit of people
acting stupid to advance the plot and Michael has started to become more of an unstoppable
supernatural monster, rather than a human monster. There is a nice bit when the
locals find out that Michael is back and they decide to arm up and form a mob
to go hunt him, although being armed doesn’t help them and most get Michaeled.
IV ends with Michael being shot by about twenty people and falling down a mine
shaft, but before this he manages to transfer his evilness into Jamie who kills
her foster mum.
V starts one year later as we discovery that Jamie has been
committed, is under Dr Loomis care and is mute and that Michael survived the
mine shaft and was taken in by a hermit and has been comatose for tor the year.
The day before Halloween Michael wakes up kills the hermit and a load of other
people as he heads for Jamie. We also find out that Jamie and Michael have a
psychic link and Jamie sees the killings from Michael’s POV. Dr Loomis uses this
link to lure Michael make to his old home and captures him. The film ends with
Michael being broken out of jail by a mysterious stranger in cowboy boots. V is
a pretty average slasher film, there isn’t much time spent developing the characters,
so that when they die they are pretty much just fodder. And there’s a bit too
much time spent starting to build the Michael Myers mythos.
Halloween VI: The Curse of Michael Myers
was the last of the first run of sequels (as Halloween H2O: 20 Years Later,
released three years later ignores Halloween III to VI) and really concentrates
on building the Michael Myers mythos. At the end of V Jamie and Michael were
kidnapped by a druid cult and VI starts almost six years later. Jamie is giving
birth (assumedly she has been impregnated by the cult) afterwards she escapes
with her baby, but is hunted down and killed by Michael, but Jamie has hidden
her baby.
The baby is found by Tommy Doyle (played by Paul Rudd!!! Yes that Paul Rudd!!!)
who names him Stephen and lives opposite Michael’s old home. Living in Michael's
old home are relatives of Laurie, who Michael kills during the film. Escaping
Michael are Kara Strode and her young son Danny, who are rescued by Tommy and
Dr Loomis. Tommy explains that “he believes Michael has been inflicted with
Thorn, an ancient Druid curse. Long ago, one child from each tribe, chosen to
bear the curse of Thorn, must sacrifice its next of kin on the night of
Samhain, or Halloween. Tommy believes that Steven will be Michael's final
sacrifice.”.
Tommy, Stephen, Dr Loomis, Kara and Danny are then captured
by the cult and taken to their headquarters. The head of the cult turns out to
be a friend of Dr Loomis, who wants “to control and study the power of Thorn”.
Michael then kills all the cult members (the film never explains why Michael
was happy to stay with the cult and didn’t kill them during the six years).
Michael then appears to be killed by Tommy, but the film ends with a shot of
Michael’s mask and in the background, you can hear Dr Loomis’s screams. Again,
this sequel spends very little time developing the characters, so you don’t
really care when they are killed, and too much time developing the mythos (but
not enough trying to make the mythos make sense). It’s not a great film.
Halloween H2O: 20 Years Later
ignores all the previous films, except for I and II. For twenty years Laurie
Strode has worried that Michael would return and kill her, to cope she has
faked her death, changed her name and become an (near) alcoholic. As the film
starts she is headmistress of a private school, whose pupils are about to leave
on a school trip, except for her son, his girlfriend, his best friend and his
girlfriend. The only other people around are LL Cool J, the security guard, and
Laurie’s boyfriend. Michael arrives and works his way through everyone, except
for Laurie, her son and LL Cool J and the film ends with Laurie decapitating
Michael. It’s not a bad nineties slasher film, with a good cast and script, and
is probably the best of the sequels (maybe tied with II), but feels a little tame
and doesn’t quite have the edge-of-your-seatness of the first Halloween.
In Halloween: Resurrection
an internet reality TV company has set up Michael’s house to be live streamed
on Halloween as six college students investigate the house. It turns out that
Michael has been living beneath the house (he returned after he killed Laurie)
and works his way through the TV crew and college students, until Busta Rhymes
karate kicks Michael into some bare electric cables and Michael appears to die.
This is probably the worst of the original Halloween films and too often feels
like a parody of a slasher film, which is weird because it has got some good
actors in it. But it has a weak script and one dimensional, cardboard cut-out
characters that you are pretty happy to see killed.
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